Victor Brauner grew up in a small town in Romania. His father, a passionate devotee of Spiritualism, regularly organized séances and corresponded with the famous mediums of the day. As an observer and participant, young Victor acquired a taste for the fantastic, which his art distinctly reflects.
In 1930, Brauner settled in Paris, where he joined the Surrealist group in 1933. The subjects of his paintings of that period seem either to derive from the occult or to be rooted in private myths. They include bizarre creatures with huge totemic heads attached to plants or to the bodies of animals or human beings, and sprouting snakes, wings, and other forms.
In 1948, after he broke with the Surrealists, Brauner’s work was more inspired by relics of archaic and primitive civilizations. Visitors to his studio in the Montmartre section of Paris often commented on his collection of primitive art, which comprised Oceanic cult objects as well as Native American artifacts. Gradually, his imagery became more heraldic, stark, and simplified, often evoking Egyptian or Pre-Columbian art.
Oil, wax, ink on card laid on board
Huile, cire, encre sur carton marouflé
25½ x 19¾ in – 64.8 x 50.1 cm